Allen & Heath ZED-12FX 12-Channel Mixer with USB Interface and Onboard EFX
ZED-12FX
ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that?s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS
1) Main Mix Left Right (Post-fade)2) Main Mix Left Right (Pre-Fade)3) Auxes 1-24) Auxes 3-4
RETURN OPTIONS
1) To Stereo 3 channel
MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ ? with optimised slope (or Q factor) for equalising individual instruments.
ZED-FX
ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don?t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point ? this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing ? in fact, it?s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.
DUOPRE
Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge ? 69dB of range to be exact ? and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to ahigher input impedance.
FEATURE SUMMARY
- 6 mono channels
- 3 stereo channels with 2-band EQ and inputs for extra sources
- 16 internal time-delay effects
- Neutrik mic XLR
- Neutrik 1/4 inch jacks
- Channel insert
- Super wide gain ?DuoPre? mic line input
- 3 band EQ with MusiQ
- 2 pre-fade Aux sends
- ?1 post-fade Aux send
- ?1 internal FX send
- Illuminated mute
- Sound image pan
- Illuminated PFL & peak warning indicator
- ALPS 100mm faders
- Stereo returns & playback
- All inputs with level control
- 12 bar meters
- Mono/stereo function on auxes 1&2
- Monitor output section
- Alt stereo output source
- Configurable USB stereo audio in/out
- Rack ears available
Allen & Heath ZED-10FX Mixer with USB and Effects
ZED-10FX
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that?s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS:
1) Main Mix Left Right (Post master Level)
2) Aux FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left Right (Separate stereo bus to Main Mix)
RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)
MUSIQ
ZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ ? with optimised slope (or Q factor) for equalising individual instruments.
ZED-FX
ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don?t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point ? this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing ? in fact, it?s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.
GUITAR DI
ZED-10FX?s pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain ?Boost? switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.
FEATURE SUMMARY
- 4 mic/line inputs, 2 with Class A FET high impedance inputs
- Neutrik mic XLR
- Neutrik 1/4 inch jacks
- 3 band EQ with MusiQ
- 1 pre-fade Aux send
- 1 FX send
- Sound image pan
- Illuminated PFL indicator
- Stereo returns & playback
- All inputs with level control
- 12 bar meters
- Responsive 3-band, swept mid EQ with MusiQ
- 2 stereo sources with MP3 player compatibility
- Separate 2-track record outputs
- Stereo playback input for 2-track replay
- XLR main stereo outputs with inserts
- Comprehensive monitoring
- Configurable USB stereo audio in/out
- Stereo monitor outs
- 48V microphone phantom power
- DI level switching for sub mixing
Allen & Heath SQ-7 48 Channel / 36 Bus Digital Mixer
48 channel / 36 bus digital mixer
SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath?s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of <0.7ms. The console features 32 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.
Powerful Processing
SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.
Add-On Plug-Ins Available
DEEP?? Proven on countless world-tours with international artists, the DEEP Processing from our award-winning dLive digital mixing system is now available within your SQ.No 3rd party hardware, no added latency, no hassle ? just studio-quality processing on every channel.RackExtraFX?? RackExtra FX Add-Ons expand SQ?s FX Rack with powerful new processors.Pick the perfect processing suite, tailored to your specific requirements.
RackExtra FX
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don?t need to use up any of your 48 input channels.
Expandable up to 48 mics
SQ has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ?n? match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.
The Mixing Experience
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ?s dashboard is centred around a high-res 7? capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
Designed for the pro
We know that the live environment can be tough on gear ? that?s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.
Dante, Waves and more
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart?s content. It?s compatible with leading audio networking standards too ? add an audio networking card such as Dante or Waves to SQ?s I/O port and you?re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.
Advanced AMM
SQ?s advanced automatic mic mixers (AMM?s) make it a natural choice for mixing conferences, panel talks and TV shows. They?re fully integrated in the mixer too, with no extra latency, so you don?t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM?s can be utilised for two zones or combined into a single 48 channel AMM for larger events.
Flexible multitrack recording
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.Also provided is a built-in 32?32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIOTM?compliant and comes complete with MIDI and DAW control capabilities.
SQ Apps
There are two essential apps for SQ ? SQ MixPad for engineers and SQ4You for performers.SQ MixPad?app is available free on iOS, Android, Windows and macOS platforms, providing offline editing and online wired or wireless control of the main mixing functions.SQ4You?is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.
The Ultimate IEM Mixer
With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ?s airline-friendly compactness and rugged build quality mean there?s no reason to gamble on house monitor consoles again.
ME Personal Mixing System
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer?s SLink port, or from a connected remote expander.
Features
- 96kHz FPGA processing
- 48 Input Channels
- DEEP Processing ready
- 33 Faders / 6 Layers
- 12 Stereo mixes LR
- 3 Stereo Matrix
- 8 Stereo FX Engines dedicated stereo returns
- 7? capacitive touchscreen
- SLink port for remote audio / expansion
- 64ch I/O Port for audio networking
- 32?32 USB audio interface
- SQ-Drive direct recording to USB
- AES output
- Chromatic channel metering
- Integrated LED illumination
- Dedicated physical controls
- 16 Assignable SoftKeys
- 8 Assignable Soft Rotaries
- Channel LCD displays
Allen & Heath SQ-6 Digital Mixer
48 channel / 36 bus digital mixer
SQ-6 is a next generation digital mixer, powered by Allen & Heath?s revolutionary XCVI 96kHz FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-6 offers class-leading high-resolution audio fidelity and an ultra-low latency of <0.7ms. The console features 24 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.
Powerful Processing
SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.
Add-On Plug-Ins Available
DEEP?? Proven on countless world-tours with international artists, the DEEP Processing from our award-winning dLive digital mixing system is now available within your SQ.No 3rd party hardware, no added latency, no hassle ? just studio-quality processing on every channel.RackExtraFX?? RackExtra FX Add-Ons expand SQ?s FX Rack with powerful new processors.Pick the perfect processing suite, tailored to your specific requirements.
RackExtra FX
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don?t need to use up any of your 48 input channels.
Expandable up to 48 mics
SQ has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ?n? match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.
The Mixing Experience
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ?s dashboard is centred around a high-res 7? capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
Designed for the pro
We know that the live environment can be tough on gear ? that?s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.
Dante, Waves and more
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart?s content. It?s compatible with leading audio networking standards too ? add an audio networking card such as Dante or Waves to SQ?s I/O port and you?re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.
Advanced AMM
SQ?s advanced automatic mic mixers (AMM?s) make it a natural choice for mixing conferences, panel talks and TV shows. They?re fully integrated in the mixer too, with no extra latency, so you don?t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM?s can be utilised for two zones or combined into a single 48 channel AMM for larger events.
Flexible multitrack recording
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.Also provided is a built-in 32?32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIOTM?compliant and comes complete with MIDI and DAW control capabilities.
SQ Apps
There are two essential apps for SQ ? SQ MixPad for engineers and SQ4You for performers.SQ MixPad?app is available free on iOS, Android, Windows and macOS platforms, providing offline editing and online wired or wireless control of the main mixing functions.SQ4You?is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.
The Ultimate IEM Mixer
With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ?s airline-friendly compactness and rugged build quality mean there?s no reason to gamble on house monitor consoles again.
ME Personal Mixing System
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer?s SLink port, or from a connected remote expander.
Features
- 96kHz FPGA processing
- 48 Input Channels
- DEEP Processing ready
- 25 Faders / 6 Layers
- 12 Stereo mixes LR
- 3 Stereo Matrix
- 8 Stereo FX Engines dedicated returns
- 7? capacitive touchscreen
- SLink port for remote audio / expansion
- 64ch I/O Port for audio networking
- 32?32 USB audio interface
- SQ-Drive direct recording to USB
- AES output
- Chromatic channel metering
- Integrated LED illumination
- Dedicated physical controls
- 16 Assignable SoftKeys
- 4 Assignable Soft Rotaries
- Channel LCD displays
Allen & Heath SQ-5 Digital Mixer
48 channel / 36 bus digital mixer
Powered by Allen & Heath?s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and access to the acclaimed RackExtra FX library. 12 stereo mixes (configurable as groups or auxes) make SQ the perfect companion for in-ear monitoring setups, whilst Automatic Mic Mixing takes the strain in multi-mic environments. SQ-5 gives you all the tools to meet any requirement, from AV and corporate events to live productions and houses of worship.
Powerful Processing
SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.
Add-On Plug-Ins Available
DEEP?? Proven on countless world-tours with international artists, the DEEP Processing from our award-winning dLive digital mixing system is now available within your SQ.No 3rd party hardware, no added latency, no hassle ? just studio-quality processing on every channel.RackExtraFX?? RackExtra FX Add-Ons expand SQ?s FX Rack with powerful new processors.Pick the perfect processing suite, tailored to your specific requirements.
RackExtra FX
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don?t need to use up any of your 48 input channels.
Expandable up to 48 mics
SQ-5 has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ?n? match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.
The Mixing Experience
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ?s dashboard is centred around a high-res 7? capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
Designed for the pro
We know that the live environment can be tough on gear ? that?s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.
Dante, Waves and more
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart?s content. It?s compatible with leading audio networking standards too ? add an audio networking card such as Dante or Waves to SQ?s I/O port and you?re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.
Advanced AMM
SQ?s advanced automatic mic mixers (AMM?s) make it a natural choice for mixing conferences, panel talks and TV shows. They?re fully integrated in the mixer too, with no extra latency, so you don?t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM?s can be utilised for two zones or combined into a single 48 channel AMM for larger events.
Flexible multitrack recording
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.Also provided is a built-in 32?32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIOTM?compliant and comes complete with MIDI and DAW control capabilities.
SQ Apps
There are two essential apps for SQ ? SQ MixPad for engineers and SQ4You for performers.SQ MixPad?app is available free on iOS, Android, Windows and macOS platforms, providing offline editing and online wired or wireless control of the main mixing functions.SQ4You?is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.
The Ultimate IEM Mixer
With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ?s airline-friendly compactness and rugged build quality mean there?s no reason to gamble on house monitor consoles again.
ME Personal Mixing System
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer?s SLink port, or from a connected remote expander.
Features
- 96kHz FPGA processing
- 48 Input Channels
- DEEP Processing ready
- 17 Faders / 6 Layers
- 12 Stereo mixes LR
- 3 Stereo Matrix
- 8 Stereo FX Engines dedicated returns
- 7? capacitive touchscreen
- SLink port for remote audio / expansion
- 64ch I/O Port for audio networking
- 32?32 USB audio interface
- SQ-Drive direct recording to USB
- AES output
- Chromatic channel metering
- Integrated LED illumination
- Dedicated physical controls
- 8 Assignable SoftKeys
- Channel LCD displays
- 19? rack mountable
Allen & Heath GX4816 48 XLR Input / 16 XLR Output Audio Expander
Features
- 48 Mic Preamps on XLR with Phantom Power status LEDs
- 16 XLR Line Outs
- 96kHz operation
- DX1 Port ? compatible with a single DX32, or up to 2 DX168/DX164-W expanders
- DX2/ME Port ? compatible with a single DX32, up to 2 DX168/DX164-W expanders, or a ME personal monitoring system.
- Compatible with SQ, Avantis and dLive (firmware 1.9 onwards) systems
- Multiple GX4816 can be added to a system:
- Up to 2 GX4816 units can be added to a SQ system
- Up to 2 GX4816 units can be added to an Avantis system
- Up to 5 GX4816 units can be added to a dLive S Class system
- Up to 3 GX4816 units can be added to a dLive C Class system
- Rack-mounted (5u) or shelf/floor operation
- Plug and Play ? no IP addressing required
- Compatible with CAT5e (or higher) cables of up to 100m
- Locking EtherCon ports
Allen & Heath GR4 1U Rack Mount or Desktop Zone Mixer
R4 is a 1U rack-mounting or desktop audio mixer, providing simple yet comprehensive control of background music and paging in bars, restaurants, stores and other leisure / retail environments. Standout features include optional remote wallplates, a mic input on the front panel, plus a 3.5mm jack on the front for portable music sources.
Features
MIXING
Individual mix and selectable control of all inputs to Z1 & Z2. Multiple options for configuring mix outputs to Z3 & Z4 (via internal jumpers).
DYNAMICS
Gain and 2 band EQ available on all mic inputs with an additional 2 band EQ available on Z1 & Z2 outputs.
PRIMARY MIC MODE
When audio sensed on MIC1 channel and/or PAGE contact closure is sensed then music is faded to pre-set level and MICs2-4 muted for the duration of the announcement. MIC1 zone select LEDs flash slowly when in priority mic mode.
Gain / volume rotary controls can be removed and capped (caps supplied) to prevent unauthorised use.
INSTALLER SELECTABLE MODES, INCLUDING:
Primary and secondary mic modes
Perfect for controlling hierarchal microphone feeds such as simple paging announcements.
Emergency mic mode
For use with 3rd party systems in emergency situations. Mutes all inputs except MIC1 on alarm contact closure.
Juke box mode
Provides a priority line input to the system for pre-recorded announcements or programme material such as Sports channels.
ADVANCED FEATURES
Entering programming mode allows the following parameters to be adjusted:
Ducker attenuation
Ducker hold time
Ducker release time
Music crossfade time
Jukebox hold time
Jukebox release time
Connectivity
MIC INPUTS
Four mic inputs on rear mount Phoenix connectors with MIC1 selectable to an optional front mounted XLR.
LINE INPUTS
Four stereo inputs on rear mount phono connectors. An additional front mounted 3.5mm jack socket overrides input 4 phono source.
ZONE OUTPUTS
Two stereo (mono selectable via internal jumper) zones on rear mount Phoenix connectors. An additional two mono zone outputs are available with mix output being selectable from internal jumpers.
CONTROL
Paging and Alarm contact inputs on rear mounted Phoenix connectors allow integration with 3rd party paging stations and fire alarm systems.
REMOTE
Remote control can be achieved via PL-14 Remote connected to the rear mounted RJ45 or custom/3rd party analogue remotes connected to the rear mounted Phoenix connectors.
PL-14 REMOTE CONTROL
? Rotary Volume control with four source select switches.? Connection via standard Cat5e cabling.? RJ45 Link through connector for adding additional controllers (Maximum of two).? Three versions to suit UK, EU or US standard front panels.
Allen & Heath GR3 1U Rack Mount Zone Mixer
GR3 is a 1U rack-mounting or desktop audio mixer, providing simple yet comprehensive control of background music and paging in bars, restaurants, stores and other leisure / retail environments. Standout features include optional remote wallplates and a mic input on the front panel.
Connectivity
MIC INPUTS
Two mic inputs on rear mount Phoenix connectors with MIC1 selectable to an optional front mounted XLR.
LINE INPUTS
Two stereo inputs on rear mount phono connectors.
ZONE OUTPUTS
Two stereo (mono selectable via internal jumper) zones on rear mount Phoenix connectors.
CONTROL
Paging and Alarm contact inputs on rear mounted Phoenix connectors allow integration with 3rd party paging stations and fire alarm systems.
REMOTE
Remote control can be achieved via PL-14 Remote connected to the rear mounted RJ45 or custom/3rd party analogue remotes connected to the rear mounted Phoenix connectors.
PL-14 REMOTE CONTROL
? Rotary Volume control with four source select switches.? Connection via standard Cat5e cabling.? RJ45 Link through connector for adding additional controllers (Maximum of two).? Three versions to suit UK, EU or US standard front panels.
Features
MIXING
Individual mix and selectable control of all inputs to Z1 & Z2.
DYNAMICS
Gain and 2 band EQ available on all mic inputs with an additional 2 band EQ available on Z1 & Z2 outputs.
PRIMARY MIC MODE
When audio sensed on MIC1 channel and/or PAGE contact closure is sensed then music is faded to pre-set level and MICSs2-4 muted for the duration of the announcement. MIC1 zone select LEDs flash slowly when in priority mic mode.
Gain / volume rotary controls can be removed and capped (caps supplied) to prevent unauthorised use.
INSTALLER SELECTABLE MODES, INCLUDING:
Primary and secondary mic modes
Perfect for controlling hierarchal microphone feeds such as simple paging announcements.
Emergency mic mode
For use with 3rd party systems in emergency situations. Mutes all inputs except MIC1 on alarm contact closure.
Juke box mode
Provides a priority line input to the system for pre-recorded announcements or programme material such as Sports channels.
ADVANCED FEATURES
Entering programming mode allows the following parameters to be adjusted:
Ducker attenuation
Ducker hold time
Ducker release time
Music crossfade time
Jukebox hold time
Jukebox release time
Allen & Heath DX168 Digital Stage Box
With dLive
Up to 6 DX168 units can be connected directly to a dLive system ? 4 via the MixRack and 2 via the Surface ? allowing up to 96 remote inputs and 48 remote outputs in addition to those provided by the MixRack and Surface. More units can be connected via the dLive DX Link card or DX Hub.
With Avantis
Two units can be daisy chained and connected directly to an Avantis SLink port. Up to 16 DX168 units can be added to an Avantis system via DX Link card and/or DX Hubs.
With SQ
Two units can be daisy chained and connected directly to an SQ SLink port, with the optional SLink card for SQ enabling more connections. For a more distributed system, a DX Hub can handle up to 8 DX168 units which can be freely patched to the SQ?s 48 input channels.
Features
- 16 Mic Preamps on XLR with Phantom Power status LEDs
- 8 XLR Line Outs
- Compatible with dLive S Class and dLive C Class hardware
- Cascade mode allows daisy-chaining of 2 DX168 Expanders for additional I/O
- Redundant DX connection to compatible dLive hardware
- Optional 19-inch rack mount kit available
- Plug and Play ? no IP addressing required
- Compatible with CAT5e (or higher) cables of up to 100m
- Rubber bumpers
- Carry handle
Allen & Heath AR2412 24?12 Remote Stage AudioRack for GLD & Qu Mixers
24 XLR Input / 12 XLR Output ? 48kHz?
Features
- 24 Mic Preamps on XLR
- 12 XLR Line Outs
- dSNAKE Connection with locking Ethercon port
- Expander Ethercon port for connection to an AR84 or AB168
- Dedicated port for ME personal mixing system
- Rack mountable
Allen & Heath AR0804 Remote Stage AudioRack for QU & GLD Digital Mixers
8 XLR Input / 4 XLR Output ? 48kHz?
Features
- 8 Mic Preamps on XLR
- 4 XLR Line Outs
- dSNAKE Connection with locking Ethercon port
- Rack mountable
Alesis Vortex Wireless II Wireless Keyboard Controller
FEATURES
- 37 velocity-sensitive keys with aftertouch for compact size with complete melodic range
- Eight RGB back-lit velocity-sensitive trigger pads enable you to create beats or trigger clips
- Eight back-lit faders for controlling volumes or other instrument parameters
- Embedded MIDI-assignable tilt sensor performance control with on/off button
- Thumb-controlled volume slider and reversible pitch-bend wheel on neck
- MIDI-assignable touchstrip, zone, sustain, and octave-control buttons on neck
- Included USB dongle creates a wireless connection to any Mac or PC
- Compatible with iOS devices via the Apple to USB Camera Adapter (sold separately)
- USB and MIDI jacks for use with any synth, sound module, or other MIDI hardware or software
- Battery-powered for use with MIDI modules and hardware synths (4 AA batteries included)
- Standard guitar strap pegs on neck and body
- Edit MIDI-assigned controls with included Vortex Wireless 2 Editor application
- Production software package included: Hybrid 3, Loom 2, Vacuum Pro, and Xpand!2 by AIR Music Tech, TimewARP 2600 by Way Out Ware, and Ableton Live Lite
CONTENTS
- Vortex Wireless 2 Keytar
- USB Wireless Receiver
- USB Cable
- Strap
- Cable Harness
- Software Download Cards
- User Guide
- Safety & Warranty Manual
REQUIREMENTS
- Minimum System Requirements
- Available USB 1.1 Port
- PC: Windows 7 Service Pack 1; Minimum Dual Core 2GHz (Intel Core i5 or i7 Recommended)
- Mac: Mac OS X 10.8.5; Core Duo Processor (Core i5 or i7 Recommended)
- Minimum RAM 4GB (8GB or more recommended)
- 5GB free hard drive space (Download and Installation)
- Internet Access (Download and Authorization)













