Road Ready RR3UAD flight case
Road Ready?s RR3UAD is built for the long haul. Crafted from raw edged materials to accommodate pro amps up to 3U, the RR3UAD is built smart with dual rack rails (mounted front and back at a 16 1/4? rack depth) and features 2 removable heavy-duty covers for easy access to your gear. *Non-stackable.
The Road Ready Amp?Series has rack cases in sizes all the way up to the 18 unit RR18UAD. For the?complete list of Road Ready cases that we can supply please?click here.
With Road Ready stock regularly turning over, unfortunately not every case is always in stock. If you need Road Ready in a hurry it is best to?Contact Us?and ask for an ETA prior to placing your order.
Warranty: 12 Months
Road Ready RR12UED flight case
? Beefy, Stackable Ball Corners
? Double Anchor Industrial Rivets
? Recessed, Industrial Grade Latches
? Recessed, Spring Loaded Handles
? Industrial Grade Rubber Feet
? Premium 3/8″ Vinyl Laminated Plywood
? Tongue and Groove Locking Fit
? Heavy Duty Rack Rails
? Mounting Hardware Included
? ATA300 Rating
? Road Ready Limited Lifetime Warranty
? Product Dimensions(inch):21.1×21.4×23.4
? Product Weight(lbs):41.1
RH-50 Studio Monitoring Headphones
The RH-50 high-performance headphones are further evidence of Rane’s unwavering dedication to both engineering excellence and ease of use. Recognizing that too many headphones designed for serious listening fall short of combining all the elements of great headphones into a single unit-full-range frequency response, ear pads that deliver hours of comfort, space-saving collapsible design and detachable cables with multiple jacks for use with virtually any gear-the RH-50 brings all these critical attributes together in one no-compromise unit. The result is a superb-sounding, comfortable, convenient unit that professionals and enthusiasts alike will depend on and enjoy, no matter how demanding the requirement.
The drivers are heavy-duty 40mm neodymium-powered units, which gives the RH-50 a particularly deep and potent bass response. When combined with their high-temperature/high-power voice coils, the overall effect is one of effortless authority, where every musical nuance is reproduced with detail and accuracy. The headphones are a collapsible design, making them easy to transport and the soft padded head band and ear pads stay comfortable during extended sessions.
RH-2 50mm Over-Ear Monitoring Headphones
The RH-2 high-definition headphones bridge the gap between studio monitor engineering and private audio. Incorporating premium audio components into a rugged, durable design, the RH-2 delivers outstanding sound reproduction and excellent audio isolation, making it suitable for use in professional recording and monitoring environments.
The extra-large 50mm drivers offer impressive bass response, enabling producers to make accurate mix adjustments to the low end in any listening environment. The RH-2 was developed for musicians and engineers who require fatigue-free listening and maximum comfort during long recording, mixing and listening sessions. Its closed-back construction is ideal for long hours spent in the studio and helps reduce signal leakage to nearby microphones. Overstuffed padding on the ear cups and headband provide unparalleled comfort during demanding recording sessions, and the ear cups completely surround the ears for excellent audio isolation.
RH-1 40mm Over-Ear Monitoring Headphones
The RH-1 is a new portable closed monitoring headphone. It fits perfectly over the ears, is small and lightweight, and provides exceptional comfort making them ideal for long hours in the studio monitoring your mixdown tracks.
With a newly designed 40mm Neodymium magnet driver, the RH-1 embodies an accurate and pure sound, suitable for all professional personal monitoring occasions. With outstanding performance and a modest price point the RH-1 is suitable for any application. The 9ft. (2.7m) long cable also includes a 1/4-inch adaptor making the RH-1 compatible with all equipment.
RCF AYRA PRO5 ? Active 5″ Studio Monitor
AYRA PRO5 studio monitor works perfectly in any listening environment, whether large or small production facilities, with absolute neutrality. It delivers accurate monitoring and provides the engineer or producer with a really neutral tool to analyze recordings and optimize the mix; this is the reason why we call it PRO. Featuring a dedicated powerful internal DSP that optimizes frequency response and dynamics in tandem with the exclusive RCF FiRPHASE processing and selected components, the AYRA PRO5 is the first Studio Monitor in its class to boast an outstanding 0? phase response. In simple terms, FiRPHASE aligns all frequencies in the entire audio spectrum to be emitted at exactly the same time. This makes the sound output more pronounced and transients more vivid and detailed, while at the same time improving the dynamics and the natural timbre of the sounds.
- 50 ? 20 kHz Frequency Response
- 0? Phase Response
- 75W 25W Class-D Amplifiers
- 5? Composite Fiberglass Woofer
- 1? ferrofluid cooled Soft Dome tweeter
- RCF Precision Waveguide
- DSP Processing with FiRPHASE
- Low distortion frontal Vented Ports
Acoustical specifications
- FREQUENCY RESPONSE: 50 Hz ? 20000 Hz
- MAX SPL @ 1M: 107 dB
- HORIZONTAL COVERAGE ANGLE: 110?
- VERTICAL COVERAGE ANGLE: 70?
Transducers
- DOME TWEETER: 1.0? neo, 1.0? v.c
- WOOFER: 5.0?
Input/Output section
- INPUT SIGNAL: bal/unbal
- INPUT CONNECTORS: XLR, Jack, RCA
- INPUT SENSITIVITY: -2 dBu
Processor section
- CROSSOVER FREQUENCIES: 2000Hz
- LIMITER: Soft Limiter
Power section
- TOTAL POWER: 200 W Peak, 100 W RMS
- HIGH FREQUENCIES: 50 W Peak, 25 W RMS
- LOW FREQUENCIES: 150 W Peak, 75 W RMS
- CONNECTIONS: XLR, Jack, RCA
Standard compliance
- CE MARKING: Yes
Physical specifications
- CABINET/CASE MATERIAL: MDF
- COLOR: Black ? RAL 9005
Size
- HEIGHT: 300 mm / 11.81 inches
- WIDTH: 185 mm / 7.28 inches
- DEPTH: 243 mm / 9.57 inches
- WEIGHT: 4.3 kg / 9.48 lbs
Shipping information
- PACKAGE HEIGHT: 400 mm / 15.75 inches
- PACKAGE WIDTH: 339 mm / 13.35 inches
- PACKAGE DEPTH: 261 mm / 10.28 inches
- PACKAGE WEIGHT: 6 kg / 13.23 lbs
RCF AYRA 6 Active 6″ 2-Way Professional Studio
- Compact Design
- Bass-Reflex MDF Cabinet
- 6″ Composite Fiberglass Woofer
- 1″ Soft Dome Tweeter
RCF ART315A 15″ Active 2-Way Speaker
The?RCF ART315A 15″ Active?2-Way Speaker?comes with a lot of power in a very small package. The lightweight, polypropylene enclosure is packed with high quality neodymium transducers,?a 350 watt amplifier, a complete electronic processor, and RCF low distortion. This speaker is known for its unique clarity and low distortion.
The 15″ woofer?features experience driven?refinements in compact?two-way speakers resulting in fast and accurate reproduction of midbass frequency? and controlled deep bass. The compression driver uses a new 1.5″?titanium dome design and an optimized geometry radial phase plug.
A generous 2 step class H design powers the low frequencies and the compression driver amplifier provides a warm and clear class AB design.
The system processor controls crossover, equalization, transducers, phase alignment, limiter and protection functions. You can?visually monitor your functions with the handy four status LEDs.
RCF ART312A 12″ Active 2-Way Speaker
Active speakers for live sound reinforcement and stage monitoring as well as distributed sound systems for clubs, music venues and corporate events. ART 312-A MK4 is the optimum choice for live sound situations where an exceptional full range, outstanding bass reproduction and accurate high frequency delivery are required
Features
128 dB Max SPL
800 WATT 2-way peak power
DSP Processing with FiRPHASE
12′ woofer, high power 2.5′ voice coil
1′ HF driver, mylar dome, 1.5′ voice coil
Applications
Live sound
Playback and stage monitoring
Corporate events
AV presentations
Fixed Installations
RCF ART 715-A MK II Active Two Way Speaker
- ? Nearfield & portable PA
- ? Foreground / background PA, distributed PA, frontfill and sidefill
- ? Houses of worship, theatres, corporate AV, retail, theme parks
- ? Compact live sound reinforcement system
- ? Stage monitoring
- 1400 Watt Peak, 700 Watt RMS digital amplifier
- 130 dB max spl
- 90 x 60, Wide dispersion constant directivity horn
- 15″ woofer, high power 3.0″ voice coil
- 1″ HF driver, Mylar dome, 1.75″ voice coil
- DSP Processing
Rane Commercial Black & Blue Rackmount Bluetooth Mixer and Amplifier
The Black & Blue is a simple, mono input-selector/mixer/amplifier with (3) discreet channels of Bluetooth?, 3.5mm line input, and USB computer link for playback or recording. Inputs can be selected for monitoring individually, or all inputs mixed at once.Application examples are?Meeting Rooms (Bluetooth? A headworn mic, computer program through USB, XLR line out to powered speakers). Unit in mixer mode for mixing sources.Coffee Bar (Bluetooth? A mobile device, Bluetooth? B is TV audio, Bluetooth? C is barista headworn mic for calling orders?amplifier out to full-range speakers and XLR out to subwoofer. Unit in mixer mode for mixing sources.Trade Show (Bluetooth? A is tablet streaming music, Bluetooth? B is presenter headworn mic?XLR out to powered speaker, and USB out streams to laptop computer to record the presentation. Unit in mixer mode for mixing sources.
Some Features
- 3 discreet Bluetooth?-registered inputs with individual volume controls and antennas
- Pairing buttons and status LEDs (blue) for each Bluetooth? input
- Class compliant USB audio for computer recording and playback
- 3.5mm line input (disconnects USB input audio)
- Pre-fader signal LEDs (green) on each channel
- Source selector for solo monitoring or Mix All mode
- Shelving Bass and Treble Mix EQ
- Master volume control with 3-color LED (green, yellow, red)
- Power LED (yellow)
- XLR line output ( 20 dBu balanced)
- 20W mono Class-D amplifier
SPECS
Bluetooth? Specifications
- Version: 4.2
- Profile: A2DP, AVRCP, HFP, HSP
- Range: Up to 88? (27m) *
- Maximum Transmission Power: 8 dBm
- Frequency: 2.402 ? 2.480 GHz
Connectors
- (1) 1/8? (3.5mm) TRS input
- (1) USB Type-B port
- (1) IEC power cable input
- (1) XLR output
- (1) 4-position Euroblock output (3.81mm)
- (3) Bluetooth? antenna jacks
Inputs / Outputs
- Amplifier Output: Mono, 20W @ 4?, 70V, 100V
- XLR Balanced Output
- Frequency Response: 20 Hz ? 20 kHz
- THD N: < 0.05%
- 3.5mm TRS Unbalanced Input
- Frequency Response: 20 Hz ? 20 kHz
- THD N: < 0.05%
- USB: 44.1 kHz / 24-bit
Power
- Connection: IEC
- Voltage: 100 ? 240 VAC, 50/60 Hz
- Consumption: 40W
Dimensions?(width x depth x height): 19? x 11? x 1.7? (483 x 286 x 44mm)Weight:?8.6 lbs (3.9kg)* Bluetooth? range is affected by walls, obstructions and movement. For optimal performance, place the product in a location that is unobstructed by walls, furniture, etc.IN THE BOX?
- Black & Blue
- IEC Power Cable
- USB Cable
- Euroblock Plug
- (3) Bluetooth Antennas
- Rack Ears (attached)
- User Guide
- Safety & Warranty Manual
Rane Commercial AC 23S Active Crossover
The Rane AC 23S active crossover can be configured as stereo 2 or 3-way, or mono 4 or 5-way. It employs 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region. The AC 23S features XLR connectors with active balanced inputs and outputs. Simply put, a Linkwitz-Riley alignment is two cascaded 2nd order Butterworth filters exhibiting identical phase characteristics on their low-pass and high-pass outputs. This characteristic guarantees in-phase outputs at all frequencies. In-phase outputs are mandatory for proper acoustic summing of common signals from adjacent drivers in the crossover region. An added benefit of this topology is steep 24 dB per octave rolloff slopes. A slope of this magnitude guarantees drivers designed to produce a specific range of frequencies, and no more, will not be driven past their limits, thereby minimizing distortion and driver fatigue. To further guarantee the transparent operation of the AC 23S, adjustable delay circuits appear on the low & mid outputs of each channel to compensate for any physical misalignment of the drivers. Time correction ensures the mechanical phase alignment of adjacent drivers will be acoustically correct, thus maintaining the integrity of the electrical phase alignment of the crossover?s filters. In 2 or 3-way stereo mode, the low outputs may be mono?ed by moving an internal jumper. Constant directivity (CD) horn equalization is possible with an internal modification.
FEATURES
- Stereo 2 or 3-Way, or Mono 4 or 5-Way
- Linkwitz-Riley Alignment with 24 dB per Octave Slopes
- Adjustable Driver Alignment Delays
- Infrasonic, Ultrasonic and RFI Filters
- Mono Sub Output Option
- Constant-Directivity Horn EQ Option
- Input & Output Level Controls
- Fully Active Balanced XLR Inputs & Outputs
- Internal Universal Power Supply (100-240 VAC)
SPECS
| Crossover | Alignment: Linkwitz-RileySlopes: 24 dB per octave3-Way Low-Mid Range: 70 Hz ? 1 kHz3-Way Mid-High Range: 190 Hz ? 7 kHz2-Way Low-Mid Range: 190 Hz ? 7 kHz |
| Time Delay | Adjust Range: Off to 2 ms |
| Inputs | Type: Active balanced XLRImpedance: 20 kOhmsMaximum Level: 21 dBuGain Range: Off to 6 dB |
| Outputs | Type: Active balanced XLRImpedance: 200 OhmsMaximum Level: 20 dBuGain Range: Off to 12 dB |
| Switch | Band muting |
| Filter | RFIInfrasonic Filter: 20 Hz, 18 dB per octave, ButterworthUltrasonic Filter: 40 kHz, 18 dB per octave, Bessel |
| Frequency Response | 20 Hz ? 40 kHz |
| THD & Noise | 0.02% |
| IMD SMPTE | 0.02% |
| Signal to Noise Ratio | 92 dB |
| Maximum Power | 7 W |
| Voltage | 100-240 VAC, 50/60 Hz |
| Conformance | CE, FCC, cULus |
| Construction | Steel |
| Form Factor | 1 RU |
| Dimensions | 1.75 x 19.0 x 5.3″ / 4.4 x 48.3 x 13.3 cm |
| Weight | 5 lb / 2.3 kg |
Packaging Info
| Package Weight | 6.275 lb |
| Box Dimensions (LxWxH) | 20.3 x 13.8 x 4.3″ |
IN THE BOX
- AC23S
- Power Cable
- User Guide
- Safety and Warranty Manual














