Instruments
Roland BK-3 61-Key Interactive Backing Keyboard
Perfect for solo entertainers and home hobbyists alike, the BK-3 Backing Keyboard brings a new level of performance to entry-level auto-accompaniment instruments. Featuring a wide range of quality onboard sounds and rhythms, song playback via USB memory, built-in speakers, and more, this portable, self-contained keyboard puts the power of a full ensemble under your fingertips. From one-person shows to social gatherings to personal practice, the BK-3 brings endless hours enjoyment for playing all musical styles.
Rode Dead Cat Wind Shield for Vmpr
The DeadCat VMPR is a furry wind cover for the VideoMic Pro, designed for use in windy environments. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent. The DeadCat VMPR is compatible with the VideoMic Pro featuring Rycote Lyre shockmounting (after May 2015). For VideoMic Pro models with band suspension please see DeadCat VMP.
Rode Dead Cat Wind Sheild
The Dead Cat windshield is designed for minimizing any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimize wind noise while remaining acoustically transparent.
Rockstix Light-up Drum Sticks
Motion Activated Light Up Drumsticks, “Lights up every beat”! Frosted Tips for Great Effects! Slow burn fade out effect. Made from strong Poly-Carbonate! (as used in riot shields) Ideal for marching bands, electronic & acoustic kits.
Rane Commercial AC 23S Active Crossover
The Rane AC 23S active crossover can be configured as stereo 2 or 3-way, or mono 4 or 5-way. It employs 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region. The AC 23S features XLR connectors with active balanced inputs and outputs. Simply put, a Linkwitz-Riley alignment is two cascaded 2nd order Butterworth filters exhibiting identical phase characteristics on their low-pass and high-pass outputs. This characteristic guarantees in-phase outputs at all frequencies. In-phase outputs are mandatory for proper acoustic summing of common signals from adjacent drivers in the crossover region. An added benefit of this topology is steep 24 dB per octave rolloff slopes. A slope of this magnitude guarantees drivers designed to produce a specific range of frequencies, and no more, will not be driven past their limits, thereby minimizing distortion and driver fatigue. To further guarantee the transparent operation of the AC 23S, adjustable delay circuits appear on the low & mid outputs of each channel to compensate for any physical misalignment of the drivers. Time correction ensures the mechanical phase alignment of adjacent drivers will be acoustically correct, thus maintaining the integrity of the electrical phase alignment of the crossover?s filters. In 2 or 3-way stereo mode, the low outputs may be mono?ed by moving an internal jumper. Constant directivity (CD) horn equalization is possible with an internal modification.
FEATURES
- Stereo 2 or 3-Way, or Mono 4 or 5-Way
- Linkwitz-Riley Alignment with 24 dB per Octave Slopes
- Adjustable Driver Alignment Delays
- Infrasonic, Ultrasonic and RFI Filters
- Mono Sub Output Option
- Constant-Directivity Horn EQ Option
- Input & Output Level Controls
- Fully Active Balanced XLR Inputs & Outputs
- Internal Universal Power Supply (100-240 VAC)
SPECS
| Crossover | Alignment: Linkwitz-RileySlopes: 24 dB per octave3-Way Low-Mid Range: 70 Hz ? 1 kHz3-Way Mid-High Range: 190 Hz ? 7 kHz2-Way Low-Mid Range: 190 Hz ? 7 kHz |
| Time Delay | Adjust Range: Off to 2 ms |
| Inputs | Type: Active balanced XLRImpedance: 20 kOhmsMaximum Level: 21 dBuGain Range: Off to 6 dB |
| Outputs | Type: Active balanced XLRImpedance: 200 OhmsMaximum Level: 20 dBuGain Range: Off to 12 dB |
| Switch | Band muting |
| Filter | RFIInfrasonic Filter: 20 Hz, 18 dB per octave, ButterworthUltrasonic Filter: 40 kHz, 18 dB per octave, Bessel |
| Frequency Response | 20 Hz ? 40 kHz |
| THD & Noise | 0.02% |
| IMD SMPTE | 0.02% |
| Signal to Noise Ratio | 92 dB |
| Maximum Power | 7 W |
| Voltage | 100-240 VAC, 50/60 Hz |
| Conformance | CE, FCC, cULus |
| Construction | Steel |
| Form Factor | 1 RU |
| Dimensions | 1.75 x 19.0 x 5.3″ / 4.4 x 48.3 x 13.3 cm |
| Weight | 5 lb / 2.3 kg |
Packaging Info
| Package Weight | 6.275 lb |
| Box Dimensions (LxWxH) | 20.3 x 13.8 x 4.3″ |
IN THE BOX
- AC23S
- Power Cable
- User Guide
- Safety and Warranty Manual
PowerWorks Mercury P10 – Column Speaker (includes Bag)
Introducing the?PowerWorks Mercury P10?800 Watt Active Column PA System with Mixer, DSP and Bluetooth.
- 400-watt RMS/121 dB peak SPL/40 Hz to 20 kHz
- PA system that is fast and easy to assemble
- Even sound distribution with dispersion angle (120? horizontal x 20? Vertical)
- Powerful 10″ subwoofer
- Clear Mid/High frequencies comprising one passive 6x 2.75″ satellite
- Built-in Bluetooth Audio Streaming
- DSP with 4 Modes ? Music, Live, DJ & Speech
- Protection circuits for reliable operation
Specifications:
| MODEL | MERCURY P10 |
| Power-handling nominal (RMS) | 400 W |
| Power-handling, program | 800 W |
| Power-handling, peak | 1600 W |
| Nominal impedance | 4 ohms |
| Max SPL | 121 dB |
| Amplification | 1 x Class D? (Sub) 1 x Class D (Array Column) |
| Protection Circuits | DSP based Multi-band Limiter, Short Circuit and Overheating protection |
| Vertical Array System | 6 x 2,75″ Mid/High SpeakersSatellite output power: 1x 150 W RMS / 1x 300 W Peak |
| Mixer | 4-Channel mixer integrated into the subwoofer |
| Sub Woofer | 10″ Woofer with 2.0″ Voice CoilOutput power: Subwoofer 300 W RMS / 600 W Peak |
| Directivity | 120? x 20? Array |
| Crossover frequency | 250Hz, 24 dB/oct. |
| Inputs | Channel 1 & 2 ?? Mic/Line XLR/6,3mm Jack Combo, with 3-band EQ and reverbChannel 3 & 4 (Stereo) ? MP3 Input 3,5mm Jack/ Bluetooth/RCA Sockets with 2-band EQ |
| Output | XLR Mix Out |
| DSP Preset | Music, Live, DJ and Speech |
| Mounting | Subwoofer with M20 threadSatellites with 25 mm loudspeaker flange |
| Enclosure | MDF |
| Grille | Metal grille |
| Finish | SubWoofer Painted Wood.? Satellite PVC black |
| Included accessories | Satellite Rain Cover and SubWoofer Rain Cover |
| Dimensions (WxHxD) | Subwoofer dimensions (W x H x D): 470 x 520 x 360 mmSatellite dimensions (W x H x D): 107 x 560 x 107 mm |
| Weight | Total weight: 24.7 kgSatellite weight: 2.76 kg eachSubwoofer weight: 19.2 kg |
Peavey Trsr Raptor Electric Lead Guitar – Trans Red
- 25-1/2″ scale
- Solid body construction with new styling for better ergonomics and balance
- New dual-expanding truss rod with wrenchless, easy access adjustment wheel
- Wide top pole piece single coil pickups for bigger string window with more focus
- Tremolo bridge
- Peavey six-in-a-line headstock with ergonomic tuner placement and straight string pull
- Master volume and tone controls
Peavey TKO115 Bass Combo
The 1/4″ input has a bright switch and an active/passive switch with a pre gain knob and a contour switch for a pre-shape eq. 2 band eq is next, with a 7 band graphic and a defeat switch. The Tko115 has effects loop, footswitch input, master volume, tuner output and DDT on/off switch that completes?the front panel.
Peavey Special 212 Chorus – Lead Guitar Amp
- Peavey Special 212 Chorus Guitar Amplifier Combo
- 100 watt TransTube output section
- Two independent channels: Clean and Lead
- Two 12? Peavey Blue Marvel loudspeakers
- Chorus with Depth and Rate controls, defeatable per channel
- Effects loop
- Footswitch jack for global effects defeat, volume boost and channel switching
- Genuine spring reverb and analog chorus
- Clean channel features 3 band EQ plus a Presence control
- Lead channel features 3 band EQ, Pre Gain control with Gain Boost, Mid Scoop and Post Gain
Peavey PVH1516 1X15′ 2X8′ Bass Cab
The flagship of the PVH™ cabinet line, the PVH 1516 is a modern update of the original 1516, one of the best selling and most highly regarded cabinets Peavey has ever released. The PVH 1516 was designed to be a tone machine. It oozes organic, vintage tone combined with rock-solid, modern, sub bass frequency extension.The 8″ mid/high speakers widen the dispersion pattern of the top half of the bass guitar frequency range, which means more consistent tone for the bassist and audience over a wide area in front of and to the sides of the cab. These speakers were designed to have pleasing cone “break-up” characteristics when used with distortion effects or overdriven amplifiers.
Peavey Milestone 5 Bxp Sunburst Bass Guitar
Peavey?s instruments are nowhere near as popular as their amps, that?s just the fact of life. With that said, they do make some pretty good stuff, especially in the entry to mid-level range. When it comes to bass guitars, Peavey Milestone is among those models we can comfortably recommend to just about anyone.
Peavey Milestone 5 Bxp Red Bass Guitar
Beautiful Transparent Red made in Korea Milestone BXP Bass.Very little signs of use, and minimal fret wear noted. Everything works perfectly and it sounds great.This cutting-edge instrument is the result of Peavey’s continual dedication to the working musician. The Milestone? bass is a rare combination of stunning craftsmanship and intelligent design with a reasonable price range. The body design is both classic and elegant. The perfectly balanced body provides an intuitive feel, as if the bass is an extension of the player’s body.Electronics? Two straight single-coil pickups (hum canceling when used together)? 2 volume, master tone controlsBody? Brasswood body with quilted veneerNeck? 34″ scale? Maple neck with rosewood fretboard? Dual-expanding truss rod? 21 frets, 8″ radiusHardware? Stamped steel bridge? Chrome hardwareThe body of Peavey Milestone resembles that classic Fender Jazz Bass shape, but it introduces some small differences. The horns are much slimmer, and the whole body seems to be a bit stretched compared to Fender?s timeless design. The pickguard is there, along with similar finish solutions. The neck is a standard maple design with a rosewood fretboard.
